{"id":723,"date":"2018-06-28T08:45:18","date_gmt":"2018-06-28T07:45:18","guid":{"rendered":"http:\/\/blog.williamsonfineart.co.uk\/?p=723"},"modified":"2018-06-28T08:45:18","modified_gmt":"2018-06-28T07:45:18","slug":"bangor-bridge-again","status":"publish","type":"post","link":"https:\/\/blog.williamsonfineart.co.uk\/?p=723","title":{"rendered":"Bangor Bridge again"},"content":{"rendered":"<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2018\/06\/bangor3.jpg\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-725\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2018\/06\/bangor3.jpg\" alt=\"\" width=\"800\" height=\"676\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2018\/06\/bangor3.jpg 800w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2018\/06\/bangor3-150x127.jpg 150w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2018\/06\/bangor3-300x254.jpg 300w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/a>It doesn&#8217;t look as though a lot has changed, does it?\u00a0 This time I&#8217;ve modified the hedge and path, so the scene has more depth.\u00a0 For instance the trees on the far right of the painting now sit behind the hedge rather than being part of an amorphous mass of green, and the hedge itself there overhangs its base which in turn defines the edge of the ground.\u00a0 I&#8217;ve used variations of the greens first applied to give form to the hedge trying to &#8220;grey off&#8221; the tones\u00a0 as they\u00a0 near the church.\u00a0 Conversely I have sort to brighten and deepen the tones in the foreground &#8211; not too much as I don&#8217;t want them to take over the painting.<\/p>\n<p>The same technique works on the path, too.\u00a0 By intensifying the tones in the path in the foreground, I have made it &#8220;lie down&#8221;.\u00a0 My photo tells me that there are flattened patches of grass down the middle, so painting these\u00a0 (next time) will both vary the surface and add to the recession.<\/p>\n<p>Next the river bank has\u00a0 had some attention.\u00a0 There&#8217;s a nice clump of bushes (or brambles ?) hiding the end of the bridge near the church, and the bank slopes sharply too.\u00a0 Directional brush strokes help the illusion.\u00a0 Then the\u00a0 ground flattens as it nears the river, called to a halt by a beautiful dark bush which has Alizarin undertones.\u00a0 That&#8217;s a piece of serendipity, as I can introduce the same undertones ( at some time in the future!) in the large dark area to the left of the picture.\u00a0 I don&#8217;t really need an excuse to do that, but it&#8217;s nice to have one.<\/p>\n<p>My classes have ended for the summer, but I am hoping to work on this painting at home and to post regularly about it, and about other paintings shouting for attention.\u00a0 But &#8220;don&#8217;t cry for me, Argentina,&#8221;\u00a0 I&#8217;ll probably be in the garden!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It doesn&#8217;t look as though a lot has changed, does it?\u00a0 This time I&#8217;ve modified the hedge and path, so the scene has more depth.\u00a0 For instance the trees on the far right of the painting now sit behind the hedge rather than being part of an amorphous mass of green, and the hedge itself &hellip; <a href=\"https:\/\/blog.williamsonfineart.co.uk\/?p=723\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Bangor Bridge again&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/723"}],"collection":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=723"}],"version-history":[{"count":3,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/723\/revisions"}],"predecessor-version":[{"id":727,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/723\/revisions\/727"}],"wp:attachment":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}