{"id":526,"date":"2017-10-10T13:21:59","date_gmt":"2017-10-10T12:21:59","guid":{"rendered":"http:\/\/blog.williamsonfineart.co.uk\/?p=526"},"modified":"2017-10-10T13:21:59","modified_gmt":"2017-10-10T12:21:59","slug":"rhine-castle","status":"publish","type":"post","link":"https:\/\/blog.williamsonfineart.co.uk\/?p=526","title":{"rendered":"Rhine Castle"},"content":{"rendered":"<p>I&#8217;m going back to basics in watercolour, using a photo of a Rhine castle.\u00a0 I have limited my palette to four colours, Ultramarine Violet, Burnt Sienna,\u00a0 Indian Yellow and Viridian.\u00a0 I know from experience that these colours work well together, but if you think about it, I have the three primary colour in the mix.\u00a0 Ultramarine Violet could be made from Ultramarine Blue and Permanent Rose,\u00a0 Burnt Sienna is a Yellowy Red, and Viridian is a bluey Green which also has traces of yellow, and, of course, Indian Yellow itself!\u00a0 I know that&#8217;s pushing it a bit, but I do find it helpful to think of the colours I use in terms of the primaries.\u00a0 It seems to make mixing easier.<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Sky.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-525\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Sky-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Sky-300x200.jpg 300w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Sky-150x100.jpg 150w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Sky.jpg 800w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/a>I started with a pale lavender sky &#8211; the sky is covered in light, high cloud, the late afternoon of a dull day &#8211; and intensified the colour for the most distant hills.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-hills.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-523 alignright\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-hills-300x192.jpg\" alt=\"\" width=\"300\" height=\"192\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-hills-300x192.jpg 300w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-hills-150x96.jpg 150w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-hills.jpg 800w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-Hills-2.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-529\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-Hills-2-300x198.jpg\" alt=\"\" width=\"300\" height=\"198\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-Hills-2-300x198.jpg 300w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-Hills-2-150x99.jpg 150w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Distant-Hills-2.jpg 800w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/a>I washed the bottom of the valley lightly with clean water, Then painted the middle distance in a mid-tone mix of Viridian and Burnt Sienna.\u00a0\u00a0 The rising mist adds interest to the picture.\u00a0 sorry the picture is so dark,\u00a0 camera trouble again!<\/p>\n<p>Now for the castle and its grounds.\u00a0 I though a touch of autumn colouring<a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Near-Hills2.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-530\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Near-Hills2-300x205.jpg\" alt=\"\" width=\"300\" height=\"205\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Near-Hills2-300x205.jpg 300w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Near-Hills2-150x102.jpg 150w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Near-Hills2.jpg 800w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/a> might lighten the mood, which is why I included Indian Yellow in my selection.\u00a0 Mixed with Viridian it gives an agreeable green;\u00a0 Burnt Sienna, both neat and mixed with Viridian gives rusty tones and a dark green.\u00a0 The roofs and details of the castle and the bluff on which it stands were painted in a dark mix of Burnt Sienna and Ultramarine Violet<\/p>\n<p>Finally, I used I used this mix, loosened with water, to create interest in the river by moving the brush swiftly over the paper so leaving the white paper to sparkle.<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Finished.jpg\"><img loading=\"lazy\" class=\"aligncenter size-medium wp-image-531\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Finished-300x185.jpg\" alt=\"\" width=\"300\" height=\"185\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Finished-300x185.jpg 300w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Finished-150x92.jpg 150w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2017\/10\/Finished.jpg 800w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m going back to basics in watercolour, using a photo of a Rhine castle.\u00a0 I have limited my palette to four colours, Ultramarine Violet, Burnt Sienna,\u00a0 Indian Yellow and Viridian.\u00a0 I know from experience that these colours work well together, but if you think about it, I have the three primary colour in the mix.\u00a0 &hellip; <a href=\"https:\/\/blog.williamsonfineart.co.uk\/?p=526\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Rhine Castle&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/526"}],"collection":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=526"}],"version-history":[{"count":3,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/526\/revisions"}],"predecessor-version":[{"id":532,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/526\/revisions\/532"}],"wp:attachment":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}