{"id":1515,"date":"2021-01-21T10:00:43","date_gmt":"2021-01-21T10:00:43","guid":{"rendered":"http:\/\/blog.williamsonfineart.co.uk\/?p=1515"},"modified":"2021-01-19T12:58:18","modified_gmt":"2021-01-19T12:58:18","slug":"a-portrait-of-higgy","status":"publish","type":"post","link":"https:\/\/blog.williamsonfineart.co.uk\/?p=1515","title":{"rendered":"A portrait of Higgy"},"content":{"rendered":"<p>Rob Wareing&#8217;s book on portrait painting has arrived from SAA,\u00a0 and it&#8217;s going to be useful.\u00a0 it is a &#8220;How t0&#8221; book but discusses much more\u00a0 about portraits than just paint on canvas &#8211; pose, lighting, using photographs or not, brush strokes, preliminary sketches, layout, paint selection, and, crucially,\u00a0 aims and intentions of both sitter and artist.\u00a0 In my innocence, I had assumed that the sitter wanted a likeness that showed them in a kindly light, and the artist wanted to paint a recognisable\u00a0 human being!\u00a0 The book needs careful study, but this fool wants to rush in!\u00a0 When will I ever learn???<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy01.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-1518\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy01-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy01-205x300.jpg 205w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy01-102x150.jpg 102w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy01-700x1024.jpg 700w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy01.jpg 800w\" sizes=\"(max-width: 205px) 85vw, 205px\" \/><\/a>In this painting there is no dilemma as I&#8217;m working from an old and not very good snapshot. But Higgy of blessed memory had an interesting face and a plethora of expressions.\u00a0 Needless to say I dived in without any sketching or close examination of the snap.\u00a0 I did use charcoal, as suggested by Rob Wareing, to lay out the drawing on the toned canvas, and liked the ease of correction, then blocked in the main tonal areas.<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy02.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-1519\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy02-246x300.jpg\" alt=\"\" width=\"246\" height=\"300\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy02-246x300.jpg 246w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy02-123x150.jpg 123w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy02.jpg 800w\" sizes=\"(max-width: 246px) 85vw, 246px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>I stood well back to introduce more detail, trying not to blend too much, to have the courage to paint the light in stronger tones than the photo which was very lacklustre.\u00a0 The warmer tones are helping too.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy03.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-1520\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy03-233x300.jpg\" alt=\"\" width=\"233\" height=\"300\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy03-233x300.jpg 233w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy03-117x150.jpg 117w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy03-795x1024.jpg 795w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy03.jpg 800w\" sizes=\"(max-width: 233px) 85vw, 233px\" \/><\/a>Well, it&#8217;s vigorous and sketchy.\u00a0 The clothes are good!\u00a0 The mouth is not too bad, but the heavy expression in not Higgy, a big generous man with an impish sense of humour.\u00a0 His eyes have climbed up his face as I worked on them, and, I now realise that both eyes and nose are too far to the left.\u00a0 There is no room for the side of his head.\u00a0 The thing about oil paint is that you can scrape it down and start again.\u00a0 Out came his eyes and nose!<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy04.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-1521\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy04-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy04-225x300.jpg 225w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy04-112x150.jpg 112w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy04-768x1024.jpg 768w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2021\/01\/Higgy04.jpg 800w\" sizes=\"(max-width: 225px) 85vw, 225px\" \/><\/a><\/p>\n<p>and I tried again.\u00a0 This is better.\u00a0 There is even amusement in his expression &#8211; how did I achieve that!?\u00a0 There is a mountain to conquer here but I am enjoying the foot hills.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rob Wareing&#8217;s book on portrait painting has arrived from SAA,\u00a0 and it&#8217;s going to be useful.\u00a0 it is a &#8220;How t0&#8221; book but discusses much more\u00a0 about portraits than just paint on canvas &#8211; pose, lighting, using photographs or not, brush strokes, preliminary sketches, layout, paint selection, and, crucially,\u00a0 aims and intentions of both sitter &hellip; <a href=\"https:\/\/blog.williamsonfineart.co.uk\/?p=1515\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;A portrait of Higgy&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1515"}],"collection":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1515"}],"version-history":[{"count":4,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1515\/revisions"}],"predecessor-version":[{"id":1523,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1515\/revisions\/1523"}],"wp:attachment":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}