{"id":1366,"date":"2020-08-27T10:00:35","date_gmt":"2020-08-27T09:00:35","guid":{"rendered":"http:\/\/blog.williamsonfineart.co.uk\/?p=1366"},"modified":"2020-08-25T13:26:00","modified_gmt":"2020-08-25T12:26:00","slug":"where-next","status":"publish","type":"post","link":"https:\/\/blog.williamsonfineart.co.uk\/?p=1366","title":{"rendered":"Where next?"},"content":{"rendered":"<p>It&#8217;s all very well to try someone else&#8217;s technique, but apart from the fun one should explore it to see what, if anything, one can do with it from one&#8217;s own inspiration.\u00a0 I loved the looseness of the style &#8211; the blending, swirling, bleeding,\u00a0 thinning of the watercolour paint are integral to its magic.<\/p>\n<p>I think in last week&#8217;s effort, I tried to define the picture too soon.\u00a0 The straight line of the water&#8217;s edge was too definite, and since it crossed the page from edge to edge, was far too dominant.\u00a0 The real dominance should be the brooding cloud and the bright sea.\u00a0 Then again, the lighter hillside was in advance of the darker one, and while that is not necessarily a design fault, in this case, I think it is .\u00a0 And finally. I think the Indigo needed a bit of warmth added.<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Strom-02.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-1369\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Strom-02-233x300.jpg\" alt=\"\" width=\"233\" height=\"300\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Strom-02-233x300.jpg 233w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Strom-02-116x150.jpg 116w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Strom-02-795x1024.jpg 795w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Strom-02.jpg 800w\" sizes=\"(max-width: 233px) 85vw, 233px\" \/><\/a>Taking that analysis as my starting point, I tried again.\u00a0 Certainly, start with deep Indigo in the top corner, but instead of clean water\u00a0 as my diluent I used Ultramarine Blue, again stopping the diagonal flow but allowing the darker Indigo to cross it.\u00a0 Lots of water near the shore line,\u00a0 then introduce Manganese Blue fairly strongly in the middle without defining that shore line for its full length.\u00a0 It&#8217;s hard to resist the impulse to fiddle as you can see from the bottom of the painting!\u00a0\u00a0\u00a0 But I feel this is an improvement on the last one.\u00a0 It allows for the addition of a few details when the painting is completely dry.<\/p>\n<p>Duly added.<a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Storm04.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-1373\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Storm04-261x300.jpg\" alt=\"\" width=\"261\" height=\"300\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Storm04-261x300.jpg 261w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Storm04-131x150.jpg 131w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/08\/Storm04.jpg 800w\" sizes=\"(max-width: 261px) 85vw, 261px\" \/><\/a>\u00a0\u00a0\u00a0 I think this is a reasonable result.\u00a0 I introduced more Ultramarine Blue in the sky and put in the steamer.\u00a0 I also defined the plunging mountain more carefully so that the lighter one does go behind it.\u00a0 There is a very fine line defining the shore in front of the boat . The painting is not as dark as the first image suggests so I lightened the photo and this\u00a0 has enhanced the image!\u00a0 There&#8217;s a feeling of moving towards the light.<\/p>\n<p>I&#8217;m going to explore further next week but I&#8217;m using one of my photos from Australia.\u00a0 I&#8217;ll look for something less gloomy.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s all very well to try someone else&#8217;s technique, but apart from the fun one should explore it to see what, if anything, one can do with it from one&#8217;s own inspiration.\u00a0 I loved the looseness of the style &#8211; the blending, swirling, bleeding,\u00a0 thinning of the watercolour paint are integral to its magic. I &hellip; <a href=\"https:\/\/blog.williamsonfineart.co.uk\/?p=1366\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Where next?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1366"}],"collection":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1366"}],"version-history":[{"count":10,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1366\/revisions"}],"predecessor-version":[{"id":1383,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1366\/revisions\/1383"}],"wp:attachment":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}