{"id":1290,"date":"2020-05-21T10:00:49","date_gmt":"2020-05-21T09:00:49","guid":{"rendered":"http:\/\/blog.williamsonfineart.co.uk\/?p=1290"},"modified":"2020-05-21T09:19:11","modified_gmt":"2020-05-21T08:19:11","slug":"banksia-spinulosa","status":"publish","type":"post","link":"https:\/\/blog.williamsonfineart.co.uk\/?p=1290","title":{"rendered":"Banksia spinulosa"},"content":{"rendered":"<p>These striking &#8220;candles&#8221; are about man-high, borne on woody branches\u00a0with thick needle leaves, close to the ground , for all the world like part of a giant&#8217;s\u00a0 Christmas tree.\u00a0 The colour\u00a0 is bright, especially in shade, while the tiny flower stalks growing at right angle to the stem give a bristly appearance.\u00a0 <a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-01.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-1292\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-01-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-01-215x300.jpg 215w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-01-107x150.jpg 107w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-01-733x1024.jpg 733w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-01.jpg 800w\" sizes=\"(max-width: 215px) 85vw, 215px\" \/><\/a>This is a return to watercolour, and it must have worked or I wouldn&#8217;t be showing it to you!<\/p>\n<p>When I first painted in watercolour, I used a flat brush as the shape was familiar to me coming as I did from oil painting.\u00a0 This seemed an ideal subject to return to that brush since everything is so angular.\u00a0 The colour palette is Indian Yellow, Aureolin, and Burnt Sienna for the flowers and Prussian Blue with Aureolin for the leaves. Burnt Sienna was added for the real darks.\u00a0 The composition works because of the strong contrasts so that the &#8220;candles&#8221; sing out, and the light, brushing their tops, is emphasised.\u00a0 But painting is unfinished\u00a0 &#8211; the sides are too clean-cut.We need the bristles!<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-03.jpg\"><img loading=\"lazy\" class=\"alignleft wp-image-1293\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-03-208x300.jpg\" alt=\"\" width=\"291\" height=\"420\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-03-208x300.jpg 208w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-03-104x150.jpg 104w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-03-709x1024.jpg 709w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Bottle-brush-03.jpg 800w\" sizes=\"(max-width: 291px) 85vw, 291px\" \/><\/a>I have scratched out the bristles with a craft knife, taking care to make my scratches at right angles except for the tops where they curve outwards.\u00a0 They are only slight but show wonderfully against the dark background. \u00a0 Some tiny horizontal taps of Burnt Sienna ruffle up the body of the &#8220;candle&#8221;, while the spiky needles have added darks all using the flat edge of the brush.\u00a0 Played for and got, I would say!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>These striking &#8220;candles&#8221; are about man-high, borne on woody branches\u00a0with thick needle leaves, close to the ground , for all the world like part of a giant&#8217;s\u00a0 Christmas tree.\u00a0 The colour\u00a0 is bright, especially in shade, while the tiny flower stalks growing at right angle to the stem give a bristly appearance.\u00a0 This is a &hellip; <a href=\"https:\/\/blog.williamsonfineart.co.uk\/?p=1290\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Banksia spinulosa&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1290"}],"collection":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1290"}],"version-history":[{"count":4,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1290\/revisions"}],"predecessor-version":[{"id":1296,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1290\/revisions\/1296"}],"wp:attachment":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}