{"id":1279,"date":"2020-05-07T10:00:51","date_gmt":"2020-05-07T09:00:51","guid":{"rendered":"http:\/\/blog.williamsonfineart.co.uk\/?p=1279"},"modified":"2020-05-06T11:26:49","modified_gmt":"2020-05-06T10:26:49","slug":"looking-down-the-yarra","status":"publish","type":"post","link":"https:\/\/blog.williamsonfineart.co.uk\/?p=1279","title":{"rendered":"Looking down the Yarra"},"content":{"rendered":"<p>Here is another painting for my possible Australian Exhibition &#8211; I might even have them all done if this Solitude continues!\u00a0 It is of three of us standing on a bridge in Melbourne looking down the Yarra river.\u00a0 This is late July there, so Winter-time but sunny.<\/p>\n<p>I&#8217;m using oil pastels.\u00a0 I have been exploring what I can do with them to keep ahead of those of my students interested in this medium!\u00a0 I&#8217;ve tried blending them, but my preferred painting method is to retain brush, knife or pastel marks.\u00a0 I like the vigour they impart to a picture.\u00a0 This image is nicely chunky so strong marks are exactly right, and the three people are very individual in colour and pose, the obvious focus .<\/p>\n<p><a href=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Looking-down-the-Yarra.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-1281\" src=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Looking-down-the-Yarra-216x300.jpg\" alt=\"\" width=\"321\" height=\"446\" srcset=\"https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Looking-down-the-Yarra-216x300.jpg 216w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Looking-down-the-Yarra-108x150.jpg 108w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Looking-down-the-Yarra-736x1024.jpg 736w, https:\/\/blog.williamsonfineart.co.uk\/wp-content\/uploads\/2020\/05\/Looking-down-the-Yarra.jpg 800w\" sizes=\"(max-width: 321px) 85vw, 321px\" \/><\/a>The painting is done on mid green mount board.\u00a0 I think it helps as there are no unintended bits of white to distract the viewer.\u00a0 Strange, isn&#8217;t it!\u00a0 I love those flecks of white in watercolour, but find them bothersome in any other medium.\u00a0 The midtone disappears happily into the other tones.<\/p>\n<p>The buildings and sky are blocks of colour, the pastel used firmly in one direction only (this is the sky, these are buildings,so there). \u00a0 My new oil pastels go on thickly enough if I push hard \u00a0\u00a0 Looking at them again I think the white should be calmed down a bit so that the white hair stands out.\u00a0 But the buildings are there merely to provide context and some perspective.\u00a0 I haven&#8217;t put the windows in &#8211; oil pastels and me don&#8217;t do detail. \u00a0\u00a0 The figures are created in blocks of colour too, with high contrasts to suggest the sunlight.\u00a0 Such blending as has occurred is the natural result a working one pastel over another.\u00a0\u00a0 How little one needs to define an image!\u00a0 I recognise these people though there are no details to help; my most successful oil pastel to date.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here is another painting for my possible Australian Exhibition &#8211; I might even have them all done if this Solitude continues!\u00a0 It is of three of us standing on a bridge in Melbourne looking down the Yarra river.\u00a0 This is late July there, so Winter-time but sunny. I&#8217;m using oil pastels.\u00a0 I have been exploring &hellip; <a href=\"https:\/\/blog.williamsonfineart.co.uk\/?p=1279\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Looking down the Yarra&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1279"}],"collection":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1279"}],"version-history":[{"count":3,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1279\/revisions"}],"predecessor-version":[{"id":1283,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1279\/revisions\/1283"}],"wp:attachment":[{"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.williamsonfineart.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}