The Liverymen 01- Beginnings

Where do ideas for projects come from? out of thin air often, but this one has a clear back story. It is a tale of two visits, one to an exhibition of paintings by Alma-Tadema in Liverpool, and the other in London, attending the Winter Service of a London Guild.

Unfinished sketch by Laurence Alma-Tadema. Image Copyright The Clark Museum, Mass.
Unfinished sketch by Laurence Alma-Tadema.
Image Copyright The Clark Museum, Mass.

The Liverpool exhibition was an eye opener. Alma-Tadema is a master of textures, his furs dense and soft, his silks airy, his flowers newly picked. Crucially, some of the pictures on show were unfinished, and looked a bit like my finished ones! They sparked an interest in emulation, something I would never have considered if he hadn’t shown the way.

Holbein, "The Ambassadors". Image Copyright The National Gallery
Holbein, “The Ambassadors”. Image Copyright The National Gallery

The Winter Service was a very different experience, all robes and ceremony, friendship and laughter, but it gave me a possible subject. A passing glimpse of the Master and the Honorary Clerk reminded me of another painter, Hans Holbein, and his painting, “The Ambassadors”. It shows the two gentlemen, beautifully dressed, surrounded by objects, many of them set out on a sideboard, which demonstrate their interests and enthusiasms.

So, I had my subject and my goal. The canvas is 50 inches x 70 inches – it needed to be at least that size if I was to have a chance at getting a likeness. I didn’t hold out much hope but it would be silly to tie my hands at the outset.

The first problem was sighting the figures on a canvas of that size. I have a projector, so I used a postcard reproduction of “The Ambassadors” to indicate where and how the figures stood, tramping back and forth across the studio with the canvas to get a clear image of the right proportions for this seemed to be at the edge of the projector’s range. Still the detail didn’t matter, and I had placed my figures.