I’ve drawn much more with the wax crayons characterising the stonework, suggesting the undergrowth behind the tree and finishing the wrought iron gates. I added Viridian to the tree both as paint and as crayon together with some brown and black. I also intensified the colour washes on the wall but I was working in electric light, and may have been too enthusiastic. The colours seem to be working better now.
I think I like the effect of the crayon, but the curvy tree trunk needs attention and something – but what? – needs to be done to join the “Brusho” part to the rest of the picture. I seem to have painted myself into a corner. Time to sleep on it, maybe.
I returned to my source photograph. I have missed out the grass edge at the front of the picture, thinking that yet another horizontal line right across the picture is unhelpful. But there is the ghost of neatly cut grass at the extreme right hand side of the flower border which might break up the horizontal I do have, at least suggesting why we have that edge. Maybe a little more “Brusho”to take the yellow and purples over the line in places?
It doesn’t look very different, but I have straightened the wavy trunk, extended the roots to imply some continuity with the pansies in front, and added more “Brusho” yellow, lemon this time to suggest distance,to the upper edge of that section.
This is as far as I want to take it in this picture, but I do like the different effect the wax crayon makes. Contrary to my prejudiced expectations, the crayon has given a delicacy and airiness to the finished picture. I shall certainly try this combination on media again!